Intent on furnishing their closest collaborators (Film Directors, ECD/u2019s, Agency Producers and Editors) with a tactile and considered offering, Syncsmith delivers a futuristic take on the agency playbook with its /u201cBlueprint/u201d.

Consolidating 6 years of case studies and track record across music supervision, sound design and bespoke composition this Phaidon-esque coffee table adornment offers Syncsmith/u2019s closest clients a time-stamped pr/u00e9cis of their inner-mechanics and chronology to date. Produced in collaboration with paper specialists G . F Smith, a limited run of 100 have been crafted and will feature as part of G . F Smith/u2019s coveted paper bank.

Continuing their enduring relationship with Parisienne Type Designer Morgane VanTorre the Blueprint showcases Arthemys Light - A serif family based on 18th Century aesthetics, inherently laden with ligatures and stylistic alternates which enables any prose to adopt a majestic and visceral value.

Third party validation comes via a Guest Foreword from experimental music aficionado and Pitchfork staff writer Philip Sherburne who testifies /u201cSyncsmiths/u2019 creations are contoured to exact specifications, honed and finessed until they fuse with the visual itself - until image and audio create a perfect alloy/u201d.

Overall design is handled by Dave Gaskarth (CYRK) who has been instrumental in developing Syncsmith/u2019s aesthetic. Anchored by an evergreen CGI Obelisk the blueprint draws inspiration from the homeric scholar St. Jerome and is anodised with the brand ethos - /u201cAn Asterisk Makes A Light Shine Whereas The Obelisk Cuts & Pierces/u201d.

Production of the 160 page section-sewn and debossed blueprint has been delivered by Brighton-based book printer of the year 2022 - Generation Press.

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